Author: admin

  • What I Learned from the Writing Class I Never Took

    Junior year in college, my girlfriend Laura and I both applied to get into the Big Writing Class. There were always more applicants than seats in the BWC. I don’t remember exactly what I wrote as my sample, but I remember it was something dreamy and shaded in mystery. It took place in the woods. There was fog. And there were unicorns.

    Meanwhile, Laura wrote a piece about a writer who noticed that he had a freckle on his right ear. This sent him into a tailspin. I remember one line of dialog in particular—it was something like: “How can I be a writer, if I can’t even notice details on my own head?” And I remember that line because I had said that line, one angsty afternoon, looking in the mirror, spotting that freckle, and going “What the hell?!”

    So my unicorns didn’t make the cut. Laura’s piece was great, and she earned a chair. And let’s take a moment to appreciate the awesome meta-ness of the situation:

    Laura had written a story that drew from a real observation. Meanwhile I had zipped past a detail in my own life that was literally (literally!) about noticing things, and opted instead to write, well, goofball nonsense.

    To be fair, it wasn’t the fog or fantasy that made my piece bad. My mistake was writing a story without a true moment or feeling. Growing up I’d had the idea that the only writing that counted was 100% imagined, and that led me down this fanciful path. But the lesson I took away from the class I never took was that details matter, and that in art, drawing from reality is more than fair game, it is the game.

    (And that’s why I hope you enjoy my novel in progress, about a unicorn named Dan who wears glasses. Boom!)

  • Into the Vortex…

    There were ten of us perched around the edge of the raft: me, my wife, her family, our river guide. We’d all signed up for an afternoon adventure in the form of whitewater rafting down the American River—some exercise, a bit of a rush, all followed by the reward of an extended float down the lazy river.

    And then perhaps five minutes in, things took a turn. The raft swung into a mid-sized vortex and our guide shouted for us to paddle hard and pull the boat around a large flat rock rising up on our right. So we paddled hard. We paddled quite hard. We paddled plenty hard.

    We paddled hard. We paddled quite hard. We paddled plenty hard.
    But as we curved around the bend, the river got the best of us and our raft ended up parked on this rising rock, listening to the sound of water slapping up against the side of the boat.

    No problem, our guide shouted. We just needed to all move to one side of the boat and bounce, together. And we’d pop free and go sailing down and through the churn.

    Bounce. Easy. Bounce, bounce. A little harder. Bounce –! and the boat flipped. And I mean completely flipped, flying out from under us, on to who knows where, leaving me, my wife, and her family scattered around the drink.

    And I have to admit, even though we were going rafting down a big wet river, taking a full dunk like this was a scenario I had never really considered.

    I remember my head going underwater. I remember popping up and shouting, in what I like to think was a sign of solid life priorities, “Where’s my wife?!” She was about 40 yards downstream, it turned out. The guide was already back on board and hard at work, one by one yanking us into the middle of the boat where we sat for a moment or two, shaken and a little bit freaked out, before sort of squishing our way over to our posts on the edge.

    As we started moving back down the river, the change in the way we paddled was obvious. Heading toward a rock wall at the next turn, we dug in, I mean really dug in, together, fierce, fighting with the water, paddling like it mattered, because it did matter, and because we knew in our soaked bones what was at stake. The wall came close but we didn’t let the boat hit, and instead we flew on past. It was fantastic.

    And here are a couple of things I took away from that glorious soak, which I still count as one of my favorite days to-date: that having something at stake, and everyone knowing what’s at stake, can make the journey not just more successful, but also a hell of a lot more fun. And that you don’t always get to decide how hard “hard work” is. You may think you’re working plenty hard. But sometimes it’s up to the river. The river tells you how hard you need to paddle. And when the river’s got your attention—when it tells you and your crewmates to dig in, and you listen—sometimes you fly.

  • “Rotting frame” (take 1, for Nonny)

    The line that gives way over time
    to oxygen and new molecules, bumbling about

    That softens delineation with a hand that jumps

    That leaves smudgeframed, then unframed a thing you asked to live inside a rectangle
    (“hey, won’t you please live inside this awesome rectangle?”)

    Until that frame is zap-gone and that thing is just out there, unframed
    fighting its own good fight against lots of seconds, occasional humidity, and a light breeze

    that same light breeze

    it’s always that same dang
    light breeze.

  • “Rotting frame” (take 2, also for Nonny)

    as a thing that deserves extra meaning, how could
    we use this phrase and you’d all follow? Such as:

    “My head today, and your voice. My head, that rotting frame…”

    and you’d know we meant the lines were shaky,
    there was too much give and

    you were breaking in
    while I was away

    and drinking tea with all my
    tea cups.

  • you know what rarely goes well?

    throwing someone their cappuccino. the air doing
    its best to keep things collected, to create
    a charmed path.

    ceramic following after, or
    sometimes
    leading in a tumble

    heart-shaped froth fanning
    out toward my
    waiting
    grip.

  • Always starting

    Johnny was always starting gangs
    but he rarely finished them.

    Which explained all those half-formed gangs
    hanging around town
    looking for Johnny.
    Not really sure.

    What to do next.

  • East Bound and Down

    This past weekend, with a cool drizzle coating my beloved Bay Area, I finally had a chance to combine my passion for songs about bringing beer to people in Georgia with my love for chamber music orchestration. Herewith, the results…

    time: 1:11 seconds; specs: 2.3M
    Press Play to play.

  • I Fall in Love (Too Fast)

    Today’s track is a wee rave-up version of “I Fall in Love too Easily,” by Jule Styne and Mr. Sammy Cahn. The tune was originally launched by a boyish Frank Sinatra in the film Anchors Aweigh in 1945 (herewith, a lovely clip of the thin-faced lad, at the keys).
    -Cecil

    time: 1:13 seconds; specs: 1.5M
    Press Play to play.

  • Bean Curd

    It’s one thing when an adult calls one other adult, “Baby.”

    But it’s a whole other can of bean curd when an adult calls one other adult, “Babies.”

    “What’s happening, Babies?” he said to one other adult. And all hell broke loose.

  • Virtual LP: Wallabees Are Back

    A crazy long time ago, one of my brothers gave me lyrics to a song about Clark-brand Wallabees. Wallabees were the preferred shoe-wear of Vortices in the ’70s. Their return to the scene had upset him. I set those words to music and got a vocal assist by so-called Shonny Vortex. Herewith, the results, recorded in 2010 and finally seeing the light of blog.

    time: 1:04 seconds; specs: 1.5M
    Press Play to play.